{"id":188938,"date":"2018-04-11T16:48:03","date_gmt":"2018-04-11T15:48:03","guid":{"rendered":"http:\/\/www.union.fr\/?p=188938"},"modified":"2018-04-11T16:48:03","modified_gmt":"2018-04-11T15:48:03","slug":"la-pornographie-tout-un-art","status":"publish","type":"post","link":"https:\/\/www.union.fr\/actus\/a-voir-a-faire\/la-pornographie-tout-un-art-188938.html","title":{"rendered":"21 pornographies, tout un art !"},"content":{"rendered":"<h1>Le nu, nouvelle tendance sur sc\u00e8ne ?<\/h1> <p><em><a href=\"http:\/\/www.union.fr\/wp-content\/uploads\/2018\/04\/21_pornographies_jens_sethzman_4_2.jpg\"><div class=\"wrap-img\" id=\"wrap-img-188948\"><img loading=\"lazy\" decoding=\"async\" itemprop=\"thumbnailUrl\" class=\"size-medium wp-image-188948 aligncenter\" src=\"http:\/\/www.union.fr\/wp-content\/uploads\/2018\/04\/21_pornographies_jens_sethzman_4_2-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" \/><\/div><\/a><\/em><\/p> <p><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Cr\u00e9dit: Jens Sethzman\u00a0\u00a0<\/em><\/p>     <p><em>21 pornographies<\/em> est une mise en sc\u00e8ne de l&rsquo;identit\u00e9 sexuelle o\u00f9<strong>\u00a0<\/strong>les danseurs et danseuses endossent tous les r\u00f4les: actifs, passifs, dominants, domin\u00e9s dans une \u00e9norme partouze sc\u00e9nique. Dans le spectacle, on d\u00e9couvre les\u00a0contes p\u00e9dophiles du Marquis de Sade, les\u00a0com\u00e9dies \u00e9rotiques psych\u00e9d\u00e9liques des ann\u00e9es 1970 et\u00a0la violence de la pornographie de guerre. La chor\u00e9graphe tient \u00e0 conserver toute une dimension c\u00e9r\u00e9brale forte qui contraste avec la repr\u00e9sentation des corps tr\u00e8s charnelle.<\/p>     <p><div class=\"wrap-img\" id=\"wrap-img-188951\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-188951 aligncenter\" src=\"http:\/\/www.union.fr\/wp-content\/uploads\/2018\/04\/download.jpg\" alt=\"\" width=\"251\" height=\"201\" \/><\/div><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Cr\u00e9dit: Jens Sethzman\u00a0\u00a0<\/em><\/p>  <p>L&rsquo;objectif est de confronter les spectateurs \u00e0 des corps nus, les forcer en quelque sorte \u00e0 s&rsquo;accommoder \u00e0 cette pr\u00e9sence inhabituelle et d\u00e9routante de la nudit\u00e9. R\u00e9sultat ? Un spectacle d\u2019une intensit\u00e9 exceptionnelle !<\/p>           <h1>L&rsquo;art, c&rsquo;est l&rsquo;artiste<\/h1> <p><a href=\"http:\/\/www.union.fr\/wp-content\/uploads\/2018\/04\/mette_ingvartsen_portret-2.jpg\"><div class=\"wrap-img\" id=\"wrap-img-188953\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-188953 aligncenter\" src=\"http:\/\/www.union.fr\/wp-content\/uploads\/2018\/04\/mette_ingvartsen_portret-2-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" \/><\/div><\/a><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Cr\u00e9dit: Jens Sethzman\u00a0\u00a0<\/em><\/p>  <p>Danoise et t\u00e9m\u00e9raire, la chor\u00e9graphe se d\u00e9marque par une volont\u00e9 de d\u00e9ranger tr\u00e8s palpable ! A 38 ans et avec une vingtaine de performances au compteur, elle a d\u00e9velopp\u00e9 une gestuelle qui titille les extr\u00eames et explore tour \u00e0 tour les limites du corps, la saturation d&rsquo;\u00e9nergie et l&rsquo;extr\u00eame lenteur. Dans le cycle\u00a0<em>The red pieces<\/em>\u00a0, elle s&rsquo;attelle \u00e0 tisser des liens entre sexualit\u00e9 et politique, vie priv\u00e9e et espace public.<\/p> <p>Le solo <em>21 pornographies<\/em>, sorti au Centre Pompidou et int\u00e9gr\u00e9 dans ce cycle, lui, se concentre sur diff\u00e9rentes facettes de l&rsquo;histoire de la pornographie. Aussi violente que joviale, cette repr\u00e9sentation de l&rsquo;intime refl\u00e8te bien les obsessions de cette artiste aguerrie. La nudit\u00e9 chez Mette Ingvartsen peut prendre des formes\u00a0orgiaques quasi sculpturales ou \u00eatre\u00a0incarn\u00e9e par la chor\u00e9graphe lors de ses solos tels que\u00a0<em>69 positions,<\/em>\u00a0<em>21 pornographies<\/em>.<\/p> <blockquote><p><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Je souhaite repr\u00e9senter la sexualit\u00e9 sur sc\u00e8ne comme un espace d\u2019exp\u00e9rimentation, o\u00f9 l\u2019on peut jouer des r\u00f4les et prendre des positions diff\u00e9rentes.\u00a0Cela passe par nos comportements, mais aussi par ce que l\u2019on pense d\u00e9sirer\u00a0<\/em><\/p><\/blockquote>   <p>Une production \u00e0 d\u00e9conseiller aux plus sensibles, qui combine n\u00e9anmoins audace, humour et un vrai vent de libert\u00e9.<\/p> ","protected":false},"excerpt":{"rendered":"<p>A l&rsquo;instar de Jan Fabre ou Dave St-Pierre, Mette Ingvartsen, chor\u00e9graphe danoise \u00e0 la trentaine assum\u00e9e, explore sur sc\u00e8ne le corps sexuel qui stimule nos d\u00e9sirs.<br \/>\nFrissons garantis !<\/p>\n","protected":false},"author":10102,"featured_media":188974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,3,2],"tags":[672,47,546,259,3088,3089,1091],"class_list":["post-188938","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-voir-a-faire","category-diaporama-accueil","category-mise-en-avant","tag-art","tag-nu","tag-nudite","tag-pornographie","tag-scene","tag-sexuelle","tag-spectacle"],"_links":{"self":[{"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/posts\/188938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/users\/10102"}],"replies":[{"embeddable":true,"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/comments?post=188938"}],"version-history":[{"count":12,"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/posts\/188938\/revisions"}],"predecessor-version":[{"id":188975,"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/posts\/188938\/revisions\/188975"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/media\/188974"}],"wp:attachment":[{"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/media?parent=188938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/categories?post=188938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.union.fr\/wp-json\/wp\/v2\/tags?post=188938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}